Thursday, March 19, 2009

Rampant thoughts on a mock European bus

Thankfully, I caught the ghost bus this morning. The Viva, which is Toronto/GTA's pseudo-european answer to express bus service in an area only recently cultivated for the housing boom but was previously acres of desolate farmland, is usually jam packed in the morning, especially by the time it gets to Woodbine & Hwy 7.

The ghost bus was characteristically quiet this morning. Not too many occupants, and empty seats. I stretched my legs at leisure and piled the adjacent seats with my so-heavy-could-be-carrying-a-corpse backpack. So there I sat, with bright, sharp morning sunlight streaming in and hiding the fugitive wind of a cold March morning, blaring my John Mayer.

Whether or not you mean to, it's always fun to listen to people's conversations, and hard to miss if they're talking particularly loud. There were two guys talking about...anything and everything. Aah, just my type of conversation (no sarcasm intended). I paid no attention - they were talking about the Bible & hypocrisy (man, is that a tired topic) - but then the words "Loan payback" drifted to my seat and tapped me persuasively on my shoulder. And so the volum on my ipod dropped to a hum.

I didn't care much for the particulars: the amount of his loan or anything like that. These guys were talking about being students and their plans for LIFE. It's been plaguing my own mind for a long while now so I decided to learn what I could.

They were just as green as me, of course, not really veterans in being homeless/penniless students but...their approach was different. Their outlook was what I like to adopt and stick to on good days and that I hopelessly drop and succumb to fear on bad days. Naturally, for me, there are more bad days than good; funny how that works. They figured, whatever happens, happens.

So this was the gist of the conversation:

Boy 1: ....and I've got my OSAP loan and line of credit. I figure I can at least pay off my line of credit

Boy 2: How much is your line of credit?

Boy 1: Oh...like 18, 20K? Yeah, it's not too bad...it's a mountain but it's a doable mountain, you know? Like I could work for a year straight and just pay that shit off so it's not too bad. Like, right now I make all the minimum payments...and there was a point in time where I'd make like a full payment....yeah, me and my parents were really good at that time. We'd talk and all, our relationship got better and I kept paying the full amount for like six, seven months straight. But then...man, I don't even know what happened but I stopped paying full...and I even missed a payment. So my dad got really pissed. Whatever man.

Boy 2: Hah. Shit. So what do you think?

Boy 1: Seriously, man, I don't care. My parents are all like, what the hell are you going to do with your life, you're not getting an actual degree of use, you're going to be homeless and live in a hole. And I'm like, what the hell? How do other people live? Like, there are so many kdis with Arts degrees and they're actually doing stuff with their lives, you know? They figure things out, I will too.

Boy 2: Mhmm...

Boy 1: Like, they work, pay, go to school. They travel. Okay, there's this guy I know. He's in university and this summer he's going to BC 'cuz he's writing this book. Artists and Life Art or something like that. And he's doing this project, you know? And he's like, if I'd come out and help him with research and editing, he'd pay for my flight ticket. Crazy, right? But here he is, doing something with his life. Stuff like that.

Boy 2: For sure man. Like people just get caught up in work and jobs and whatever.

Boy 1: Exactly. There's this girl I know. All she does is work for a year, saves up as much as can. Puts half toward her tuition and then save the rest for traveling. That's all she does: works and travels. And then the next year she goes to school. Like that's amazing you know? She fucking knows how to live her life.

Boy 2: Are you serious? She just...travels?

Boy 1: Yeah man, she takes like 3 or 4 jobs through the year and earns all she can. It's crazy. And so awesome. But you know what, that's the way to be! Like, I'm not worried about stuff. There's no rush for me, and people figure things out, you know? Just because you're an Arts grad, doesn't mean you're going to be broke. It annoys me when people think that way or say that to you.


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I found this to be...not quite an eye-opener, because I've met and talked to people like this before. But to have this to consider in the morning, when I've been thinking about this all along...to have it come from strangers was...thought-inducing.

Because it's something that is hard for me to grasp or fully apply to my own life. I'm torn between being an idealist and just being...practical. And the biggest struggle for me right now is, yes, the money, yes what the hell am I going to do in the future, but also, when the hell is it going to finally happen. There's honour...doing the right thing at the right time, finishing a degree in four years getting a job, making some money to pay back those loans. And then there's freedom where someone like the aforementioned girl works and lives her gawdamn life!

I don't know the answers to anything yet, and my head was swimming, hearing this. It wasn't a new sentiment. It's been expressed before. But in trying to apply it to my own life, I'm held back by fear. Great and immense, bottomless fear that doesn't usually tinge my behaviour or my thoughts.

A very big part of me is still stuck in that room in Waterloo, worrying about honour and freedom and the cost of pursuing your dreams and the tradeoffs, the sacrifices, the depression, the idealism, the follow-through and the potential for failure. A big part of me is still that timid girl crying over the phone, is still battling with my father, is still lacking coherency and stability. Is still missing in action in a very big way.

And as though my ipod could read my mind (and I swear it does this often), their conversation prophetically ended to the beginning of Dave Brubeck's Take Five. Life is so uncannily stylish, sometimes, it's scary. Take Five indeed.

Monday, March 16, 2009

Occupational Hazard.

It is really very annoying when you hit that age - that really annoying age where people can't tell how old you are. At least...that's what has always happened with me. People can never tell how old I am - either i'm 12 or i'm 21. It's very strange, not to mention, extremely bloody annoying.

I'm wary of walking down the street with my parents. I now refuse to walk down the street (or anywhere for that matter) with my father, alone, if my mother is not there. Because - YES, this actually happens - people think I'm his wife. And that has such icky connotations, I can't even begin to unpack it, besides not wanting to unpack it. My mother and I look alot alike - and so people think "hmm, they are sisters". And this is really fucking annoying. Because, yes, my mother looks young....but she does not look THAT young. so either I look old and tired or she looks sparkling and young...which, no offense mom, you don't.

This is the occupational hazard of having parents that are far too young to be your parents. It's very annoying; either you're the wife or the dumpy sister and I want to scream at people's extreme stupidities for generalizing and thinking one way or the other. Having young parents is solely embarassing and, even though they can get you underage drinks, and you could potentially party with them doesn't mean you WANT to.

It was absolutely mortifying, for example, when my father would come to pick me up in his rare occasions of fatherly duty from my high school. And there would be a group of afghan girls that would stare and giggle as he passed. It was really quite nauseating, the way they would look back and pointedly stare him down, as if baiting him. It made me gag, not only at the process of the main human mating ritual (because this stare was not only reserved for him - it was pretty much there for any male in the school, the attitude being, look, drool and don't touch; affirmation basically, ugh, sickening) but because my father was the object of it.

My parents got married young - 21 (well...it's young in my books) and had a kid the very next year. So basically they were kids having a kid (and I turned out really messed up and neurotic for it). While all the other parents are now 50 or approaching such, my parents are approaching 41 or 45.

The curse (or blessing) of the genes in our family makes it so that all the women (on my mother's side) are slight and...lineless for the most part. My grandmother is 65 but looks like she is 50. It's really quite disconcerting. My mother, similarly, is 43...but pretty much looks like she is 32. But, no, I will NOT concede to the fact that she looks my age (and I, by default thus look her age) because that is a first-glance exaggeration.

The non-aging thing got passed on to me. Generally, women who are shorter and slighter look younger anyway, but at least my mother looks mature. I am on the short side, with a slight build and - I have glasses. Shit. I...look like a woman-child, which is very annoying. When I dress up, however, I look like I'm ready to bust a move because I'm naturally curvaceous yet my face is young. It is very, very annoying. I am a woman child and that makes me sad. It also gives me no hope for the future because I will forever look young (kiddy young), and not tall and amazing like that KT Tunstall song.

And its not just getting carded - who cares about that crap. It's the fact that, when I was in grade 7 and I wore dorky butterfly clips, this really big boobed fast assed blonde is like omg are you in grade 3? even though our classes were RIGHT next to each other and i was a chatterbox so she knew who i was. Dumb cow.

I really just wish people would stop generalizing, however, and use their brains. My friend, Katharine has a fifteen year difference with her little brother - me, i'm not so bad, its only a 10 year difference with my younger brother. Yet, whenever she was out for a walk with him, or pushing his stroller, people would shoot her dirty looks. They all automatically assumed: teenage pregnancy.

You know what? Fuck you. Pardon my french. But wow, can you not take TWO seconds to UN-generalize and UN-assume about people? Is that so hard? To look at people and NOT cast a judgement on what infitesimal detail you THINK you've discerned? Upon close inspection, me and mother not only look differentiable, but it is clear who is the mother and who is the daughter. But people always fucking generalize: "Oh my god, you two are sisters!" And it's not just flattery; people with no motives, nothing behind their words other than what they think is keen observation, will say this. And it gets me angry. Not because this means either that she's impossibly young or that I'm glaringly old. But because, people are constantly generalizing. About everything: culture, hair, race, clothes, what have you.

And quite frankly, it's disheartening.

So next time you see a really old guy with a really young chick. Don't pass judgement. Don't try to figure out their relationship - it doesn't concern you! Marvel at them individually, if there is anything to marvel at and make rational statements. And to all afghan girls at Marc Garneau, my father is not on the market. So piss off.

Cheers.

Thursday, February 26, 2009

pre exam musings



Gosh, I absolutely LOVE The Who. Behind Blue Eyes? That was more than just genius, you cant even label it genius and then slide it aside, no no, it has a very eerie quality to it. In its quiet, seething anger. Melancholy but bubbling at the surface.

Piano, piano, piano, piano, buildup, climax, BAM! BAMBAM! BAM! BAMBAM! Omg absolute and utter LOVE. This song hits me SO very hard and I'm absolutely in love with it. And not just the intro. The best part is picking out the various variations in key during the intro, feeling with every nerve the anticipation. It's enough to drive anyone mad - the best kind of music.

I really need to learn how to play Baba O'Riley/Teenage Wasteland...I would so teach myself but I have no piano! *cries* If only I were back on res. I used to skip the caf (and actual people) and go up and play coldplay all afternoon. I miss res...or rather, I miss being on campus. The all night study session...the coffee rings on my books. It was grungy but enchanting in a strange way.

I traded all the coolness and freedom for good meals and roof over my head. And a steady inflow of television. And my own room. Godamn, I am SUCH a sellout. What they say about students - that they're starving and maniacal and will go almost anywhere for food? - is true. If I wasn't so sickly complacently placated with things like not having to pay rent...I would be disgusted with myself. But somehow I don't think an Arts degree is worth 20K. No offense arts/humanities kids...I feel your pain, i do. blame the childhood indian guilt-tripping, okay?

I really do hate this place though. The worst is having left and then having to return. shit. okay. an end to this pointless post. Just to say - really need to find myself a piano.

Oh - on a side note: I'm heading to London for the weekend. First weekend I've had off in a very long long time. i hear western's the place to be HARHAR. Shall...nerdly party with ter and whatnot. Long live the lost weekend? I'm also excited for july - montreal + russell peters! holy crap! We're most probably going to absolutely paint the town an invisible shade of red. For now, I must go study for Bio. I have House M.D. on in the background as I work out pedigree and genetics charts. It's a nice catalyst <3. Gawd, I do love this show. And wow, this is such a nonsense sporadic post. Oh well. Sense is for sods.

Cheers.

Tuesday, February 17, 2009

Sunday, February 1, 2009

(Au)Oral 808s

One of the reasons that I love lofts is their ability for excessive echo. To me, nothing is more sexier than an expensive set of best-that-money-can-buy speakers filling an entire space - every nook and cranny, every converging corner of a space - with beats. With music. Those 808s, the lovesounds, the aural manifesto.

It don't matter whether I'm bleeding Jazz or seeping Soul, if I'm in the mood to dance to pseudo-rave or dance to house. Sometimes it is undefinable and guilty of genre tripping. Every gram of music that hits me, I fall in love with. I would be absolutely no where without it. This is one love affair that will possibly never end - I'm in too deep.

Music puts me in a whole other world; it is an alternate universe where everything is logical and flows so well all at the same time. Some people use music to set a mood. I say allow it to respond to your mood. When everything is quiet in my mind, like a gas within a test tube, my mind fills with an orchestra of my most cherished sounds. I crave better headphones to be able to track and feel every single twist and turn, every shot of instrument. It flows in my veins and fills even my breath with a beat. It challenges my pulse, sedates me and prods me at the same time. I've never met such a flighty temptress as music, nor ever had the pleasure to play second fiddle to a more commanding mistress.

My awareness of music started at a very young age, on the merits of the 90s and a very strange relationship with my father. The double advantage of having two mother tongues, two identities made me open my eyes, to a quality of music that transcended mere words or regions. It began in Bahrain, every Wednesday night Hollywood musicals and Bollywood singsong. It manifested into a fondness that solidfied in Queens, New York. It returned to London, just off of Kilburn and trickled through the streets of Hounslow and Southhall in a garishly obvious manner. Then, it was silent for quite a while, awakening every year in the summer of Manhattan. I do not know when music became about textures, flowing in ribbon-like rivers; when it became about a defining stance, or when it transformed into a heady drug.

When I arrvived in Canada, I became very self-conscious about my music. I began to brand and classify. I began to hide it all away from others. I didn't expect many to understand. At first, I didn't understand the true spectrum of the essential listening. There was so much standard music that I hadn't even heard of.

Aural tradition and I slowly picked up the pieces. I understood the great fashioners of rock, the Kurt Cobain, the Stairways, the Doors. My curiosity piqued at trips to the then-Soho with The Ramones playing out of lofts and that's when I knew. It didn't matter if I was listening to A.R. Rehman or AC/DC. It was all just one in the same language, utterly beautiful in its creation.

I'm very close to my music. I love my iPod not because of its quality or its feature (well maybe a little because of that) but just its sheer ability to set my scene anywhere I go. For me, it is like a piece of me. That sounds conceited but when I lost my first iPod to the wiles of this world, I grieved like I would grieve for a friend. I was so lost without it. I had to have my music. It was my only comfort in a world so forgone. I still believe that the thread of music spells out my life.

So where did this all come from? Well, I was sitting on the bus one too-early morning and amidst all the mediocre music I had put on for the sake of it and out of the blue came 3 by 5. I don't know how, but a day that was doomed spun and turned on its head. And I partially attribute that to music for its strength (though Don Miguel Ruiz may have had something to do with the other part).

Because music is so important to me, like anything that loves too deeply, I let it blind me. I couldn't stay open to music because I had such a severe definition of what music should be and do. I became an elitist and expected music to have and be and do something for me other than just being itself. Without even realizing it, I cast out music that I didn't understand (like Rap) and my extreme dislike for the obvious slaying this genre of music was doing to the very definition of music turned into a gavel for my judgement.

But eventually I realized. Music frees all borders. It brings you closer. It's beauty is that it can fit in a genre and then yet completely not conform. It is malleable and undefinable in its definity and possibly the only definite thing about any sort of music one listens to is that it is all subjective. What I like is a direct reflection of me. What someone else likes is a direct reflection of them. It is a characteristic, a consequence but it should not be used as a judgement.

Today, I absolutely revel in its undefinity. Every track that I have, that I have the privilege of being able to to listen to, is a spiritual journey for me. Sometimes it's sad, sometimes healing, sometimes funky. But always it is music.

Other people fall out of love as they grow older. It becomes a collection of the greatest hits or current UK Top 40s for them. It is a trend. Their lives take over. I don't feel that happen yet, with me. Music matters to much for me not to want to explore and hear more than the Singles chart. I wouldn't have it any other way.

May the era of Aural 808s live on.

Thursday, January 29, 2009

Sunehri

Even if I descend into dementia or if depression should finally receive an elimination envelope in my name, I will never forget the depth of these words.

"I will tell you something that your priests don't know. The Gods envy us. Everything is so much more beautiful because we are doomed. You will never be more beautiful than you are now. We will never be here again."

Saturday, January 17, 2009

Everybody Says I'm Fine

What. The. FUCK.

I must be going absolutely insane or else this world is going on nutters. Stark raving MAD. MAD I say! Do I laugh, do I cry, do I kill something or maybe rip a paper to shred in frustration or completely turn a blind eye? I'm sorry, but WHAT is going on here?!